I have been a fan of
Dennis Lehane for some years, reading several of his books (e.g.,
World Gone By), but barely scratching the surface of his
body of work, many of which have become
movies (e.g., Mystic River, Shutter Island, Gone Baby Gone).
There are many positive reviews of this book: Library Journal ("Readers will enjoy going along for the ride in this engrossing story about love, deception, and marital commitment"), Booklist ("...this narrative vehicle never veers out of control, and when Lehane hits
the afterburners in the last 50 pages, he produces one of crime
fiction's most exciting and well-orchestrated finales rife with dramatic
tension and buttressed by rich psychological interplay between the
characters), and Publishers Weekly ("Set in contemporary Boston, this expertly wrought character study
masquerading as a thriller from Edgar-winner Lehane ...features his first-ever female protagonist.)
But the review that came closest to my reaction was the review from the New York Times. They write "The novel begins with a string of
joltingly different episodes from an author whose usual style is much
more propulsively linear. The sequences are all parts of Rachel’s life,
but that doesn’t initially glue them together; she is struggling to
figure out who she is, and so are we. Only over time does the larger
trajectory of “Since We Fell” become clear.It
all makes much more sense in retrospect than it does as the book’s
first chapters unfold. Here are some of its early developments: Rachel
devotes herself to solving the mystery of her father. It’s complicated,
and it leads the book into such unlikely areas as Luminism, the
19th-century style of American landscape painting....The father question is answered, and not in ways likely to improve Rachel’s mental state. Strong and smart as she is, Rachel needs a man in her life. She marries a
producer named Sebastian, who works at the Boston TV station where she
is a rising star. He’s irritable when Rachel endangers her career, since
he cares mostly about her status....One on-air meltdown later, Rachel has been fired and is a public pariah.
Already
subject to panic attacks, which are exacerbated by the horrors she saw
in Haiti, Rachel stays in her apartment for 18 months. Sebastian drops
out of her life. And it leads to Rachel becoming reacquainted with Mr.
Right, Brian Delacroix, who she’d known casually and now looks at with
new interest...Rachel falls gratefully into his arms, and they are married.Their
marriage ushers in a string of wall-to-wall spoiler alerts. Suffice it
to say that this second part of “Since We Fell” is sharply different
from the first. Suddenly, he begins delivering nonstop suspense only loosely rooted in Rachel’s story and its foundations."
This very long and torturous journey left me largely unmoved, although the last part of the book does speed up and become more engaging. Kirkus, like many other reviewers had only positive things to say. "Don’t zoom through this latest entry in Lehane’s illustrious body of
work. You’ll miss plenty of intrigue, intricacies, and emotional
subtleties....What seems at the start to be an edgy psychological mystery seamlessly
transforms into a crafty, ingenious tale of murder and deception—and a
deeply resonant account of one woman’s effort to heal deep wounds that
don’t easily show."