Marble Hall Murders

Anthony Horowitz has returned with protagonist Susan Ryeland, book editor, who has just separated from her Greek boyfriend and the hotel on Crete that they ran together. She wants to re-establish herself in the publishing community so reluctantly agrees to take on a project she would just as soon avoid--a continuation of the Atticus Pünd series that she formerly edited for her previous employer. She knows the author, Eliot Crace, who is the grandson of a deceased children's books author. He has been a troubled youth and his marriage hasn't seemed to be the stabilizing force that many had hoped for. It quickly becomes apparent that the book he is now writing is intended to stand in for what he believes was actually the murder of his grandmother. He has captured the series' author's knack for inserting anagrams, tricks and clues in the text of the book and Susan fears he will put himself in danger by pursuing this. "Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim"--" (Library Journal). 

Publishers Weekly open with this praise: "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series..."  (see also Magpie Murders and Moonflower Murders), and closes with this: "Horowitz throws down a gauntlet for the reader: will finding the killer in Eliot’s novel, which takes up a solid chunk of this book’s page count, translate to a conviction in the frame story? Horowitz is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie. Fans will clamor for the sequel." Kirkus also recommends the books suggesting the challenges that readers will find within: "Sharpen your mental pencils. Editor Susan Ryeland is taking on her most baffling mystery-within-a-mystery....Susan’s third metafictional whodunit is Horowitz’s most extended and intricately plotted yet—at least until next year." 

Making the Best of What's Left: When We're Getting Too Old to Get the Chairs Reupholstered

You can tell from the title that 90-something Judith Viorst is not going to take aging altogether seriously, but she does delve into very serious topics and reports what she finds from interviewing dozens of he oldster cohort. Her chapter deal with leaving one's home for a "sensible safe retirement community," with the fact that we are all "losing it," our ardent wishes for a loved someone to "stop being dead," questions about an afterlife, thoughts on happiness and loneliness and the importance of community. A short and easy read that is still thought provoking and definitely worth your time.  

The Huntress

Another historical novel from Kate Quinn. Although the woman in question is the titular killer during WWII, she is not the narrator of any of the three braided stories. We have Jordan, a teen and aspiring photographer who lives with her widowed father. She has suspicions about her father's new love interest Anneliese but she falls in love with the woman's 4-year-old daughter Ruth and her father is so happy again that she keeps her worries to herself. The we have Englishman Ian Graham, a former war correspondent who has seen the worst that humans can do. He now spends his time hunting down Nazi war criminals even though the public taste for punishment has waned. He has a special focus on the Huntress because she killed his younger brother. Finally we have Nina, raised in the wilds of northeastern Russia by a father who drank himself unconscious on a regular basis and, at one point, tried to drown Nina in Lake Baikal. Nina leaves at the earliest possible moment, learns to fly and becomes a member of the Russian women's bomber squadron known at the Night Witches. She was witness to Ian's brother's murder and is the only one who can identify the Huntress. She is technically married to Ian in order to have British citizenship.  Booklist says that the secondary characters: "... from Nina's anti-Stalinist father to Jordan's pilot boyfriend, feel three-dimensional, and the coldhearted Huntress is a complex villain."

Publishers Weekly describes this as an "exciting" and "suspenseful' thriller, although I agree with them that the book was "longer than it needs to be." I would much rather the author had chosen to focus on a single strand or maybe two, and the shifting perspectives--although clearly labeled in the chapter headings--were disruptive. Still, as Library Journal concludes, "A great choice for historical fiction fans, particularly of World War II-set novels, mystery readers, or anyone seeking well-crafted stories in which good triumphs over evil." Kirkus notes "That Jordan’s suspicions are so easily allayed strains credulity, especially since the reader is almost immediately aware that Anneliese is the Huntress in disguise. The suspense lies in how long it’s going to take Ian and company to track her down and what the impact will be on Jordan and Ruth when they do. Well-researched and vivid segments are interspersed detailing Nina’s backstory as one of Russia’s sizable force of female combat pilots ..., establishing her as a fierce yet vulnerable antecedent to Lisbeth Salander. Quinn’s language is evocative of the period, and her characters are good literary company.

Dead Money

What a twisty techno thriller from Jakob Kerr. Even the title contributes to the subtrefuge. There are deceptions within deceptions. Publishers Weekly offers this summary and review:

"Kerr puts his background as a lawyer and tech executive to good use in his impressively unpredictable debut. Mackenzie Clyde, an attorney from humble beginnings, now works as an investigator for Hammersmith, one of San Francisco's hottest venture capital firms. When Trevor Canon, head of tech startup Journy, is discovered dead in his office and the SFPD fail to make headway on the case, the founder of Hammersmith--whose firm made a $5 billion investment in Journy--uses his influence to bring in the FBI. Mackenzie joins FBI agent Jameson Danner, the son of a U.S. senator, in leading the investigation, and the pair soon discovers that, before Trevor's death, he inserted a clause into his will freezing his assets (including Hammersmith's investment) until his murderer is caught. It gradually becomes clear that only a Journy executive would have had the access necessary to kill Trevor, but each one has an airtight alibi--except for the chief technology officer, who's just disappeared. After setting the stage for a standard, albeit glitzy, murder mystery, Kerr takes the narrative on a series of hairpin turns before arriving at a jaw-dropping finale. "

Booklist says of Kerr's character development of the female protagonist, "flashbacks take the reader through Mackenzie's past. She is a confident rebel, and these vignettes show just how far she'll go to get what she wants. Kerr's writing in the main story is fast paced and straightforward; it's in the flashbacks where the story shines, giving the reader insight into Mackenzie's character." Kirkus opens their review by saying, "Tech insider Kerr’s twisty, propulsive debut explores Silicon Valley’s dark side through the eyes of a wily outsider heroine." They go on to conclude, "This surprising nesting doll of a thriller, in which no one is who they appear to be, layers one story inside another within another...Kerr has created one of the most memorable female thriller protagonists in recent years. Striking not only because of her unusually tall height, the independent Mackenzie is determined to control her destiny in a male-dominated industry. A sharply observed portrait of the tech world and the role ambitious women play in it."

The Diamond Eye

 Another great historical novel from Kate Quinn featuring a strong female protagonist. Here is the summary and review from Publishers Weekly:

"Quinn ... draws on a historical female sharpshooter from WWII in her exciting latest. In 1937, Mila Pavlichenko studies history at Kiev University and raises her five-year-old son, Slavka. She's estranged from her husband, Alexei, a surgeon whom she met when she was 15. When the Germans invade Russia, Mila, who's already trained at a marksmanship school, enlists in the army, is assigned sniper duty, and earns the nickname "Lady Death" for her high number of kills. In battle, Mila is steadfast about completing her missions with her partner, Kostia, and also finds time to write letters to Slavka. In 1942, Soviet leaders send Mila with a delegation to Washington, D.C., to meet with President Roosevelt in a bid to seek American support... Mila unexpectedly develops a friendship with Eleanor Roosevelt, but faces a threat from a misogynistic male marksman who sends her threatening notes. Quinn humanizes Mila by showing how she and Kostia use humor--along with a healthy amount of vodka--to cope with their risk-taking, and she convinces with her description of Eleanor's political savvy and influence on the president. Historical fiction fans will be riveted. " 

Library Journal also praises with these additional observations: "There's so much packed into this book, from subtle, complex characters who grow and change throughout to lessons about this the real history behind the book. The relationships build an emotionally engaging foundation as tension builds on battlefields and danger tracks Mila in Washington. Quinn (The Rose Code) specializes in centering strong women; each of her books exceeds expectations set by the previous title." Booklist calls the book "thrilling" and concludes, "Recommend it to... all lovers of smart historical fiction....[Quinn's] inspiration for the hero of this powerful WWII tale, a librarian-turned-military-sniper, will appeal to an even greater audience."

Assassins Anonymous

This book with a somewhat preposterous premise by Rob Hart, is nevertheless filled with the kinds of struggles faced by those in any 12-step addiction recovery program. The book jacket gives an accurate flavor of the storyline. "Mark was the most dangerous killer-for-hire in the world. But after learning the hard way that his life's work made him more monster than man, he left all of that behind, and joined a twelve-step group for reformed killers. When Mark is viciously attacked by an unknown assailant, he is forced on the run. From New York to Singapore to London, he chases after clues while dodging attacks and trying to solve the puzzle of who's after him. All without killing anyone. Or getting killed himself. For an assassin, Mark learns, nonviolence is a real hassle." 

Publishers Weekly opens their review with this, "A legendary assassin joins a support group of murderers hoping to cure themselves of their addiction to violence in Hart's nail-biting latest..." and concludes, "Mark's continued efforts to stay "clean" from violence provide welcome humor to the otherwise breakneck proceedings. Strong characters and rattling suspense lift things further above par." Kirkus generally concurs, saying "Despite Mark’s insistence that 'being an assassin is nothing like John Wick,'  Hart’s latest wears its myriad cinematic influences on its sleeve. Escalating stakes and precisely choreographed action sequences keep the pages turning, but a slew of increasingly gonzo twists skew the tone toward camp—a vibe underscored by Mark’s droll yet angsty first-person-present narration. Though Hart often mistakes quirk for character development, the scenes Mark shares with his fellow recovering murder addicts impart some nice emotional resonance, helping to ground the tale and lend it heft. Bombastic whiz-bang fun."

The Frozen River

This historical mystery by Ariel Lawhon is based on the real life midwife, Martha Ballard, who in the late 1700's delivered over 1,000 babies and never lost a mother. When the rape of a friend and a murder occur in her small town, Martha is determined to seek justice. Here is the plot summary and review from Booklist: 

"Spanning the winter of 1789--90 in Hallowell, Maine, from the freezing of the Kennebec River to its late thaw, Lawhon's outstanding sixth novel is based on the actual life of frontier midwife Martha Ballard, who recorded daily diary entries about her household and career. Called to examine the body of Joshua Burgess after it was retrieved from icy waters, Martha recognizes the telltale signs of hanging. Burgess and another man, a local judge, had been accused of raping a young pastor's wife four months earlier, and Martha believes her account unquestioningly. She also guesses the two crimes are connected. A sage, strong presence at 54, Martha is an extraordinary character. Devoted to her patients and her six surviving children, mostly young adults with complicated love lives, she battles subjugation by a Harvard-educated doctor who dares to think her incapable. Although this isn't a traditional detective story, Martha's narrative will capture historical mystery fans' attention with its dramatic courtroom scenes and emphasis on justice, particularly for women. Flashbacks to Martha's past add context and generate additional suspense. Martha's enduring romance with her supportive husband, Ephraim, is beautifully evoked, and details about the lives of the townspeople make the post-American Revolutionary atmosphere feel fully lived-in. Lawhon's first-rate tale should entrance readers passionate about early America and women's history." 

Publishers Weekly concurs, concluding, "Lawhon combines modern prose with the immediacy of her source material, making for an accessible and textured narrative. This accomplished historical powerfully speaks to centuries-old inequities that remain in the present day." Highly recommended.

Pro Bono

Thomas Perry is the author of almost 2 dozen books. Kirkus calls this a "lumpy but irrisistible thriller" and summarizes the plot as follows:

"Three years after George Ellis left a party he was hosting and never returned, his wife, Vesper, notices that some of his investment accounts have been shrinking instead of growing. Suspecting fraud, she consults Charles Warren, who’s been recommended by a mutual friend. Charlie turns out to be an excellent choice for several reasons. He’s both an attorney and accountant, so he’s good with numbers. He’s hard to bully, as any number of bankers and potential assailants learn to their cost. And he has both sympathy for the victims of fraud and extensive criminal experience, which began long ago when he raced after his fleeing stepfather, Mack Stone—who’d plundered the accounts of Charlie’s mother—running him off the road into a fatal crash that’s never been tied to Charlie except by Andy Minkeagan and Alvin Copes, two convicts who turned up at the scene of Mack’s accident ahead of the police, ran off with his financial papers, and are still bent on finding a way to cash in on their discovery. In fact, Charlie and Vesper are surrounded by so many lowlifes in pinstripes that it’s a good thing they have each other. As the story goes on, though, the obstacles to Charlie’s legal victories seem to fall away, and readers familiar with Perry’s knack for steering his tales in new directions they never saw coming may wonder what will happen during those last hundred pages. A series of completely new threats against a completely different person, that’s what. A model of suspense, though not of construction."

The Wall Street Journal praises this latest work: "Few crime-fiction authors are as skilled as Thomas Perry at keeping readers off balance and in suspense. Mr. Perry’s “Pro Bono,” a cutthroat caper of embezzlement and revenge, repeatedly shifts direction as its unpredictable plot unfolds." 

 

The Dark Maestro

This is Brendan Slocumb's "impressive third thriller" (Publishers Weekly). Here is the plot summary from Library Journal:

"Slocumb's (Symphony of Secrets) new novel, a musical literary thriller, illustrates the shady side of a life of crime but also the beauty of the strings in the symphony. Curtis Wilson is a child prodigy on the cello who received his instrument through a free school program. His father, Zippy, is a low-level drug dealer in Washington, DC, who doesn't have much time for his son. But Zippy's girlfriend Larissa sees and encourages Curtis's musical potential while gifting him the comic books he devours. While, Zippy's boss moves Zippy into a higher but sketchier business position, Curtis earns a spot at Julliard and is becoming known nationwide as a star cellist. Then his father turns state's evidence and the family is moved into witness protection, putting a hold on Curtis's skyrocketing musical career. The family comes together, however, while in hiding to create an online comic book called The Dark Maestro and to pick up where the FBI has left off on a quest for justice. VERDICT The twists of the story keep coming, and the thread of superhero comics and the Dark Maestro bring readers along on a journey that comic book fans will appreciate." 

Publishers Weekly concludes their favorable review by saying, "Slocumb effectively incorporates issues of class and race into the well-paced story, for example by prompting readers to wonder if Curtis would have to go so deep undercover if he were white instead of one of the few elite Black cellists. Though the narrative requires more than a little suspension of disbelief, it’s worth sticking around for the nerve-jangling climax. This is as stimulating as a well-played sonata."  Similarly, Kirkus offers thiese favorable closing comments: "This is an intricately plotted novel, paced perfectly by Slocumb, who keeps the book moving at a breakneck speed—but not at the expense of his beautifully drawn characters. Curtis, shy and sweet, is especially memorable; Slocumb paints a beautiful picture of the young man’s internal life. The final act of the book strains credulity, but who cares when you’re having so much fun? This novel should catapult Slocumb into the upper echelon of thriller authors. A virtuosic thriller."

Fever Beach

What to say about Carl Hiaasen's new book? It is the very definition of schadenfreude -- taking pleasure in the suffering of others. And we get to indulge this as Dale Figgo, ardent white supremacist, and his merry --and usually drunk or high-- band of brothers take a drubbing from the weather, a group of transgender performers, and wealthy eco-warrior Twilly Spree. Additional cast members are described by Booklist : "Dale Figgo, a right-wing nutcase who was too crazy for the Proud Boys; Viva Morales, who's renting a room from Dale, and whose bosses, a pair of alleged philanthropists [the Minks], are almost certainly up to no good; an ambitious and deeply corrupt congressman [Clure Boyette, "an apparent caricature of Matt Gaetz, though somewhat tame by comparison" according to the NYT]; Dale's mom, who isn't thrilled about what her son is doing with his life; and a bunch of other delightfully weird characters." They go on to close their review: "There is a serious story to be told about right-wing conspiracists, corrupt politicians, and shady philanthropists, and Hiaasen is sort of telling that story, but mostly he's making us laugh... This could be his funniest book yet."  Boyette plans to use the grant money received from the Minks to fund Figgo's group in a voter intimidation scheme, hiding this behind the public face of a phony home building non-profit using child workers. The New York Times notes that Florida beat Hiaasen to the punch  as "the satire arrives pre-obsolesced by a reality even stupider and more depraved than the author dared imagine: The Florida Legislature recently considered a bill to legalize child labor to replace the holes in the work force left by waves of deportation." was somewhat more measured in their review, saying the book is "both feverish and beachy: a bottomless margarita...'Fever Beach' becomes finally a test of the reader’s own appetite for sanctimony and schadenfreude. As with the bottomless margarita, you’ll have to decide for yourself when enough is enough." Kirkus values what the book has to offer: "The perfect antidote for anyone who doomscrolls daily headlines: more crazed, rollicking, sharply written sendups like this." And Publishers Weekly concurs, "This funhouse-mirror satire offers welcome opportunities to laugh at the absurdities of 21st-century politics. It’s Hiaasen at his finest."