Thursday, July 20, 2017

Station Eleven

This book by Emily St. John Mandel was highly recommended by my walking friend, Kathy F. and several other members of the short-lived fantasy/ sci-fi book group, and it won the Arthur C. Clarke Award and numerous other accolades. It is indeed lovely writing. The premise is that a pandemic flu wipes out 99% of the world's population and we hear the stories of several of that small group left alive in North America. It is set primarily from Toronto down to the south end of Lake Michigan, with short jaunts to L.A. and British Columbia to fill in the characters' back stories. Two primary entities form the warp (weft?) of the connecting stories. The first is Arthur Leander, from a tiny island off the west coast of Canada who moves to Montreal, becomes an actor and then becomes a movie star. He marries 3 times, has one son, and dies of a heart attack on-stage while performing King Lear in Toronto, the same night the pandemic reaches N. America. His first two wives, his son, his closest friend Clark, and a child actress in the King Lear production, Kirsten, all have their own stories. The second is The Symphony, a group of traveling musicians and actors who travel in the post-pandemic world to surviving settlements along the shore of Lake Michigan performing classical music and putting on Shakespeare plays. Several characters, including Kirsten, are members of this group. The title comes from a tiny run of graphic novels created by Arthur's first wife, Miranda, about a space station/ planet which starts to break down when it passes through a worm hole, causing systems to malfunction and flood the planet. A group of survivors live in the settlement of Undersea and want to return to Earth and life as they knew it. You can see the connections to the "real" story, of course. It is a hopeful story in the end, although there is no end to the craziness, grief and loss--not just for people who died, but for an entire way of life.
Plenty of reviews available to fill in my short account: The Guardian, The New York Times, Kirkus, the Huffington Post, and The Independent.

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