Bring Up the Bodies

Apparently Hilary Mantel is only the 3rd author to ever win two Man Booker prizes and the 1st to win with a sequel, as she has done with her first two books of a projected trilogy about Thomas Cromwell. Apparently she took the criticism about her difficult to follow use of pronouns in Wolf Hall to heart, and has endeavored in the sequel to more clearly indicate when Cromwell is the "he" in question. Maybe for this reason, or maybe it's just greater familiarity with the huge cast of characters, but this book, focused on the downfall of Anne Boleyn, was easier to follow. Given Boleyn's scheming and cold-hearted treatment of those who opposed her rise to power, it's hard to be sympathetic, and yet, Henry is so fickle and so able to rationalize his wandering libido, that one does feel a twinge for her. Cromwell--never at the top of Anne's list of favorite people--is quick to recognize the shifting winds of Henry's affections, and to begin crafting the case that will free Henry to marry Jane Seymour. Cromwell must ally himself with old enemies, and thereby place himself at greater risk to bring down the current queen.  Cromwell emerged as a very complex character in Wolf Hall, capable of tremendous compassion and loyalty as well as ruthlessness. Here, the ruthlessness--admittedly in the service of old loyalties--drives the plot, as he focuses on those who wronged Cardinal Wolsey in determining who shall die and who shall live. The title refers to the call used to retrieve the prisoners for trial in the Tower of London, where the Queen and a selected few of her ostensible lovers are housed. There is a slightly longer Author's Note that alludes to the historical record drawn upon, but it still left me feeling like I wanted to know a lot more about her sources. Cromwell continues to develop as a man you can both admire and view with caution; certainly you would never want to get on his bad side.